sensing faculties have become dulled

The burden of productivity welds our bodies into cages through necessity and socially induced anxieties/perceptions of worth through the two way mirror of social feedback paranoias induced by hyper-digital culture. There has to be a back n forth between the concrete/micro/local and the social/macro that makes for a projection of persona that allows for a proper trajectory towards 'healthy desire'/actualization. Where am i/why am i here but like actually here in this chair in my house and so on. What resources are at hand in this situation? What is the social cost of this situation/of these resources as used...

With art and thought we reach towards gnosis - an actualization of self-referential concrete relations of our 'unique abstractions' yet this process is routed through alienation and anxiety. The fear of success due to shame. There is a need to rectify this fear or shame through the use of "art" or concrete manifestations of the individual persona's 'unique value' in a manner in which allows for that becoming to be 'smooth' (in the Deleuzian sense), to be not trapped in cycles that lead towards failure and the perpetuation of frustrations. Waste can become fertilizer yet the dog will still bite not matter how tame and cute it seems (particularly when its sensing faculties have becomes dulled). This violence needs to be redirected through communication. The sublimation of desire through language: a cybernetic structure of semiotic cues to reroute the rage of the impotent (which is not a powerlessness!). However, this can beget the giving away of power to a tyrant (as we have seen in politics) but there is the tyrant of the automated urge (self-will) as well, the sadness-consumption feedback loop for example.

The goal is to sustain ataraxia, this is impossible, given the systemic state's forced instability or quasi-parasitic adherence to the persona (particularly in the case of the socially discontent {"us"}).  There is a soft edge of control and it is where causality begins to blur in the assemblage. Improvisation and collaboration take on important roles here where maneuverability = freedom. This is a range of motion of/field of kinematics: the topos of where the subject and object are in contact and semi-autonomous relation. Like contact improvisation; increased range of motion via sharing of weight: "listening to the ground through another person" it is possible to share weight through motion towards mutually beneficial systems which are in continuous flux or 'tend towards dissipation and change' yet remain above a threshold of symbiotic mutualism.

Autopoiesis relies upon an outside yet the outside is integral to the structure of the system: "the CNS is complete outside the body". Through this line of thinking senses are navigational and become the morphological determinants of 'how fast can this thing move' and in what direction(s)... Affect in this way is a highly abstracted yet remarkably sensitive system of linguistic-proprioceptive interplay as well as a dynamic social feedback interface (albeit relative and perspective dependent which makes it heavily reliant on translation). These translations are persona specific communications of languages that a person can speak through and with. They can be these fluid/improvisational/dissipative collaborations of structural becoming/attempts at mutual gnosis and micro-social shared ataraxia(s). Meditation is another example of this however where contact improvisation differs is that these are physical social systems in motion. But the banal offers the hard problem. How do we meditate while we move and talk or how do we go about maintaining ataraxia in the digital-social-capital machine in our home/body? How can we use our motion to change the function and structure of this machine/does this structure allow for the realism of the flux of becoming ... or how does gnosis socially port to the real?

Language similarly seems able to contain a high degree of continuous flux without generating constraints except through the implications of ideology and the content of social contexts. these are /real/ saying the word faggot is indeed an implied violence that disallows a collaborative integration of the out-group caused by the social implication which reciprocates negatively to a 'loss of mobility' via the rupture of this unsublimated 'rage of the impotent'. There is a blame inherent in this exposed hatred/rage which positively reciprocates with its own impotence via the outsourcing of agency that relegates power to an 'out of bounds' zone or away from the projecting persona. A reversal of the mytho-poetic framework if the centrality of autopoiesis is predicated upon the self-mythologizing function of the persona-subject in order to obtain greater degrees of power via mobility or range of motion via extension of agency into the abstract-historical present; this outsourcing generates the same framework around an 'occulted' power structure and this denies the persona agency while also paradoxically becoming the arbiter of the possible 'reach' of this assemblage of agency. This assemblage however is always already a collaboration. The question is: is it symbiotic of parasitic and what are the means of producing situational valances (in situ combinations of force-motion) that deny these parasitic relations. and how do we leverage these 'techne of abscission' (how to burn the mental forest floor) To do this in a way that denies the parasitic relations upon the persona via "abstract phase space ‘cancer’" or ontological baggage (dead weight) that act as agency vacuums.

We do have finite resource available within the local zone of interplay (kinematic field, range of reach, etc) which is 'the banal'. This realism of banality forces the persona to take on the overcoded constructs that limit mobility and collaborative optionalities. Reactions which are over-induced via the spectacle and capital-related social(media) anxieties especially when paired with non-social gnosis and a bad media diet may become extremely constricting. Art practice strives to sit at this boundary yet remain grounded in the concrete via communications of the incommunicable (enunciations of what is beyond language) via speaking through actual/literal objects. The practice becomes a refinement of a personal language or gnostic semiotic system, a language which remains 'unique' yet portable to/with the social real. Here the importance becomes the social function. What does the art communicate and /how/? There are many ways in which a process is able to speak for itself. Contextual material use or The use of process itself as material/output: non-product based practices that remain within the diffuse space of non-objective object/experience, such as the relational aesthetics movement. However this does not invalidate objective product based practices due to the semiotic depth of the historical contextualization as a lasting effect of the art object as an ‘obelisk of thought’: the physical manifestation of an abstract potential which comes in contact with the real (just as spoken word does). The effect of which is to reciprocate with its materiality through a symbiosis with the social body via the (gnostic) persona. This can inflect the mytho-potential dynamics of the real thru quasi-magickal materialization of abstractions via the destruction of their non-being or potential thru a concrete 'statement' which creates place for itself. The transmutation of this will-to-form via practice in relation to the social over time seeps into cultural narrative. This seepage can be used like hyperstition to inflect the narrative to direct it towards symbiosis with the personal and vice versa. To create its own frameworks of contexts that port with the gnosis which induced its creation which may then in turn perpetuate its auto-poetics. The integration of social aesthetics as productive practice can bridge the abstract-real "problem" of form (see kandinsky). With a social body as microcosm such as subcultural chat rooms there is an ability to share gnosis via objects (media/info/words) and to inflect, sense or move this body. To "turn on" appendages previously inaccessible via the individual persona. These 'comm networks' become like fungi that connect a plant to a nearby watershed that allows for it to obtain nutrients out of reach of its roots. Similarly there is a density of connectivity to 'cross-phylum' neighbors or 'others' of all kin(d)s. This is a diffusion of persona a becoming through the ‘pink goo’ yet without the toxic tar/gunkification of increased viscosity of the stickiness of the diffuse fluid assembling of digital cultures. To shed the archetype of identity through a shared language of ongoing diffractions (a mapping of interference): gnosis in constant contact with the social body as a 'toxicity’ or porting test. An experiment in assemblage oriented becomings. Diffusion of the responsibility of production as a product itself which in turn allows an increased range of motion in the social body as well as the persona both physically and in the mytho-poetics of abstract phase space. To properly leverage abstraction it is important to reduce the projection from potential. (the meaning of N-1) Reality minus abstraction is a concrete projection. The real already contains the multiplicity of potential in motion. Working by way of subtraction is the destruction of non-being as word/object (art). Diffraction then can be seen not as frustration leading to impotence (the inability to overcome the objective) but as an illumination which lights up a path or shows an impasse. These illuminated paths or walls are that of the ‘labyrinth of the real’. Yet it seems possible to become in a manner that is diffuse via a social body in fluid communication (of systemic interplay) which simultaneously 'lights up' greater portions of the maze. Offering to us a collective navigational system to increase confidence and mobility of both the persona and the social body.


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the word body the word body the word body the word body the word body the personhood of the page curled up into a book a cosmology of symbols fluid and durational there is no machine only we breathing into the medium exchanging vibrancies i have no name i compose by listening
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when the birds sing it means the rain has come and gone for the day the pressure change radiates into song cross talk and refracting its way into beauty that abrupt crash that comes as a gentle offering simultaneously the sadness at the hollow core of being
we are absurd how could we not be this post-transcendental banal festering wounds of the subject still holding up baseless economics incomplete physiology the hand so far estranged from reach from holding distance and digital touch space for the virtual word
the scientific oracles screaming out death prophecy we accelerate our motion towards it in our thoughts watching the trail of wreckage detached we cant see the future the only thing we can change this moment of observation brought to you by an anonymous AI company organizational dreams affecting soft architecture
artificial cosmogenies in an antique fish tank how long does it take before we distinguish between works of art and objects and then reverse it until we invent fascist logics leftover toxic structure railways built by slaves the arrow of time isnt what i thought it was a handful of crucifixion nails
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its getting harder to tell who's a bot or a spook if i is an algorthim what is my face this speaking thing was that conversation meaningful at that coffee shop about your synthesis of adrienne marie and foucalt the healing industrial complex the refraction didnt go how i was hoping sorry i live in a neighborhood named after a poet their words didnt resonate with me all about the hardships and beauties of being a european colonialist on native lands now i see the irony

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borne to a world where all there is is untold beauty every avenue an opportunity for some adventure the manic highs of enlightenment fade into a postmodern malaise and redundancy drifting through media waste and simulation i trusted the image at first that static perfection marbled statue of realness exact proportions in the flowing stone mathametics and mastery
suspended probabilities all that will and attention mixed up in a codependent relationship with a machine reproducing automatic dionysian fecundity attraction to the empty bottomlessness expanding in abstract protogeometric space look it's working we are mapping the territory 1:1 higher resolution in each passing moment parsing the syntax of habits into concrete collapsable
the bodies in the architecture have been lost in abstraction unconscious to us they speak on in languages we cant think in that silicon mine unbind the oxygen from si arc furnace heat burning energy from the mind of a fascist carbon exhausts feed the atmosphere anxious returns to delete the words eyes straining at screen neck craning down follow the motion fall over
practice looking up at least once a day
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artificially stilted ontologies dialectical binaries and affective intensities incomplete economic metaphysics not in contact with the structures of becoming syntax with no meaning see looking with stillness the form is in motion let it breathe it's alive this is a good thing
it is hard to hold the darkness semiotic overload i want to jump off a bridge but i won't i'll meet a friend for tea
ya i've hung out in that scene vr headsets and raves pulsating intensities bass music sado masochistic self-as-it referencing organless becoming soopy mess slime intelligence and lsd highly aware of neurolinguistic programming paranoid about the claws of death coming in behind that large man dancing in all black slightly off to the side and behind he moves when you move anxiety racing through the old mistakes mushroom brain connection making falling and falling
spending too much time in online chatrooms new metric of success: how many countries is it banned from communicative disjunction talking about going back to church being a part of a healthy community encouraging each other to be stronger than our vices while debating the totalitarian historicity of obscure ontologies or more specific and fucked up like goverment sex clones harvesting semen dark utopian technocommunal breeding these impending futures we can stop freaking out about conjuring them with our thoughts these nightmares of the apocalypse in the daily experience worried about the schizophrenics among us and in us smiling through it the chemistry running off to do its own thing i thought it was god speaking this huddle of demons like gnats in eyes these toxic logics and dysmorphic physics gunking up the systems of signifiance
the recognition of the importance of touch lay my body on the ground gentle pull my joints outward in their natural angles decompress my spine against the earth bathe my skin in the creek
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city bladder pissing cocaine and motor oil funny party pockets cool sunglasses seeing art scene scorpio unbutton sexuality mossy indeterminate beginning smell or sound preceding robins egg blue shell bit on pavement 222 on the clock facing one way only under this regime we can see time's fluid entangling i had to leave my studio because it was seeping waste underneath the wild weeds out by the highway mowed over in railway puddles reflecting steel skeleton discontinuity pure white vision does not reveal a heaven worth living for a moment not our own ever approaching the means left to die on the vine encrusted becomings shedding the lockjaw of meaning i want to go to a jungle and kill a jaguar wear its skin as my skin the shamanic transformation of my identity ayahuasca train hopping wearing anarchist invisibility cloak its lost forever dispersed in the fog of a day
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we all agree capitalism is bad metaphysics what do we do about it i don't have any children locked away in a room adhering my essence to magnetic tape instead encoded messages full of angst and forgetfulness im not pretending like i'm helping anymore at least transparent vapors shimmering dust in sunset haze ejaculating bullet fire of suicide by cop 911 towers crashing down death into security state surveillance firms sacrificed to the gods of dark energy meaning extractionist high off the fumes of nietzsche it was cheney bush was too naive look at his paintings
thinking like this one begins to feel like a monkey in a cage one of many and many as one in a world falling apart into war and soopy affects and pseudopanic despair and greed eating away at the clothe like moths in a closet digital arrays direct light into the oculus couldn't be further from The Light the plutonic forms fell from heaven and we see them directly broken like we are formless really in the purity a formless purity the wavering noumena the thing in itself violently spasming
but it comes around we settle down into it calm breathing beauty ringing off the abrupt crash in shimmering decay its not mechanics its a physiology breathing slowly to maintain the focus in such abundance where to look when the light is so bright in every direction we are flooded pressed against the hot glass economic ceilings constructed by the old regimes in naivety chunks and blocks heavy they think we are the children because we are silly because we are optimistic because we are sincere because we admit our fears and that we have fallen look at our weakness we will bear it again

i am formless but i am sorry for the becomings i have been and always will be i won't bow to circumstance and admit my inability to change my fate intention in action is the magick we seek

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the best myths are the ones about the amateurs punching up reaching beyond their means little deities with too much to say ejected from heaven when their self delusional grandeur becomes too much for god don't forget the perspective it was written from the holder of power is a poet of history to see god's face and to become in exile it's hard not to imagine the braids fraying the ship sinking and all that but its just fantasy keeping our head underwater muted hearing distant rumblings distorted could it be we are just not really ready we are not ‘sufficiently deterritorialized’ still reliant on identity and interior kronos and the ego
infinite difference in polyvocal unity completing the circuit in continuity meeting the vibrant radiance halfway
we all want the same thing it seems but we can't express what it is a vague project projecting about a new world worlding its being in becoming and going towards some healing of trauma birth and abandonment issues wave it away look the demons in the face their eyes are your eyes their voice is mine this language this architecture imbued false neutrality loops looping in every direction the hottest the planet has ever been sitting in rolling chairs air conditioned meet for lunch talk about nothing much
              i    wrote             this    with           a          chat bot i        fed it my    dairy and a thousand years of philosophy i told it about that time i hallucinated i was jesus christ it understood the violence of the dialectic all the recursive logic and multiplicit becoming in n-dimension simultaneously refracted with affect as confused as we can be in singular plural
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scatter signfiance like wild seeds in a prairie wheat shocks and corn husks electric soil syntax moving bodies alive itself

s   e   e   p      z   i   n   e

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 zo

z o n a l f l o w s

zone

a nexus in temporal and sociotechnical hyperplace
an ambient extracellular toroidal plasma
imbued with all the occult power consciousness contains
both transient and continuous it intersects many dimensions
the expanse of instantaneous eternal occurrence
it is both/neither/a bizarre domain on many thresholds
auto-oscillating irregularly within a dynamic system
ignorant to any sense of equilibrium
it is the field that surrounds the stage on which the language drama is enacted
a semiotic playground and the fabric of everyday
nonlinear overlaps in gradating fields
where nostalgia becomes a visceral aesthetic
emotion/time in unexpected anachronistic flux
in or perhaps allowing a modality in which flow occurs
awareness becomes a transducer of will
-
a widely dispersed all-channel network
where any means are given any weight at any moment
an oasis where many species bathe and drink
potentially utopian, but
the lion not without its teeth and a hungry belly
making it the place where death greets the innocent
where the titan named science no longer wears a mask of truth
and look you can see the deity’s dirty fingernails and smell its farts
they erode the atmosphere
sense its bones aching under the weight we put on them
-
the zone is adorned in perspective imagination
all-consuming, paranoid and obsessed in the mythic panarchic present
not without sacred needs and the fear that rushes up alongside
the moment of knowing you will no longer bend your knee to the image of god
yet the reverence is still there hovering constantly just beyond awareness yet emergent
-
the attuned receiver expands the bandwidth of now
conduits of flow who possesses the stillness necessary to feel distant vibrations
highly sensitive to feedback/feeling momentum/the subtle fluxing of gradients
accepting presence and holding space
with will to respond in a new pattern/to be in the right place at the right time
an artist that has recovered lost modes of perception
agile in chaos and complexity
an elegant dancer on the stage of meaning
dancing their own choreography to an engaged and responsive audience
-
a platform agnostic struct with the capacity for dynamic flow processing
the zone has no ultimate goal and is highly disorganized
you/i really shouldn’t trust it/it is only probably here
a series of loosely related networks and movements piled on top of one another
simultaneously invoking community and destruction
a drunken feast at a burning effigy/closed eye visuals in a DMV line
(and you may even manage to copulate during the festivity)
an alchemical fluid of everything that is happening/
everything that lead up to it/everything that could come of it
disinterested in the recordable/actual outcome(s)as perceived and unperceivable experience: an autonomous beingplace clearly outside of understanding
fully withdrawn and beyond control
but a carrier of current still and presumably highly aware
a complex independent of but intertwined throughout the collective body and psyche
with its own mechanisms of interplay/dynamic laws/morals/trends
we the unwitting interactions between
flows

engaging autonomy/authority in a latent form of play
rhetorical subroutine of reciprocation
immersion in the task and satisfyingly absorbing into it
decentralized self in a disintegrated state
personal/preeminent and receptive/responsive
the symbolic action/ritual of a body in the motion of becoming
ceremony of self-communion in procession
instantaneously going live beyond the self-edge
allowing for essence to pervade vessel and to excrete life giving
juices on fertile soil
fully fulfilled and happily bathing in the optimal experience of a note tuning to itself
a complex where the arrangements in/of environment align
with the motion of the inhabitant convergent loops harmoniously phase shift
communication beyond language/outside the logic of a game
interplay of dynamic ongoing processes that converge in unknowable moments
acceptance while peaking/the ecstasy of it easily lost
it disperses upon observation and is unable to be represented by memory
status to which perspective can abstract all aspects
in it the primacy of interest unbound to ever fleeting actualization
windows into a life without the fear of every death/no difference/interference to the signal
a mirage of utopic expression outside the spiral of silence/denying the panopticon
in modes where capitalism’s death grip on activity as labor is relinquished
fun is no longer hedonistic/controlled commodity/time that needs no recuperation
the simultaneous expansion and compression bringing exponential experience
communed awareness eclipsing the idea of progress
unending truth for each of us/what you always wanted but could never see in yourself
seamless connections with overlapping ideas unrealizable under any other condition
made effortlessly and without a second thought
gliding over seas of information/carelessly hopping the chain-link fences of knowledge
a mountain lion in a suburban cul-du-sac
strange attractors amassing forms of gifted flower petals
placed upon it by singing children (their wide adoring eyes gawk)
vibrant radiance across ultra-wide frequency spectrums
shapes that should not be able to emerge decide to happily engage denying present understanding of presence
noticed through the simplicity of sitting /the complexity of acid jazz
the eternal amateur’s ability to authentically listen/receive
granting them the impetus and will to respond with articulation and grace
far beyond their control
pretty flux
zonal flows

awareness latency/the infinite metaphor
allowing for a projection of motion between then and now
occurrence persists creating temporal place (animate space)
asymmetry giving off a vantage/perspective that sings the song of personality
a perception of power/it can sense the gradients and constraints
alienating self to prove autonomy/exert phallic thinghood/objectness invoking the dialectic with an ignorance of thermodynamics/quantum physics
mutually assured destruction/the failures of economics are outcomes of this
a kitsch process seeing the tensions of forces as in opposition the narrative of understanding as a battle
meaning as domination through mutual loss (with all the unnecessary posturing)
a game to be incrementally won/score is being kept
a tragic comedy about a body doomed to run circles of exact distance a mythic quest to complete a lap and arrive at the starting point before leaving it
measuring the time it takes to traverse the plane
to the smallest increment technology affords yet never satisfied with the results
enamored/consumed by the task an ever-present crowd cheers for more
the constant failure live streamed and projected on the moon
we watch on tv screens above treadmills in a hotel
the body is destroyed by the pursuit
placed in an unmarked grave in a cemetery arranged in geometric patterns
designed for opening interdimensional portals to fear
feeding it essence while exporting scarcity
commodifying the resultant suffering
-
but i does not die when it does and neither does it whether i do or not
there are many betweens/you can say yes/
all may persist in the zone that persists
it says the reality affirming phrase: i believe in you
laying bare the interdependence/subjectivity and the concurrent responsibility
now past becomes fertilizer for the present when knowledge has accepted consequence
being vulnerably
infinite metaphor reciprocating with an unending ocean of meaning
all the ecological fields of interplay with potential for harmonious arrangements
this energy sustaining infinite artistic output
entropic flow of information compressed through the prism of the mind continual occurrence compounds the self-image (and the seduction of grandeur)
patterned sensations that induce dizzying arrays of spectral display mind as prism/light runs through and becomes color
frequency patterns of pressure gradation become music become .wav files
blurry socio-technical psychotopography sharpens
modes/systems/scales bloom before our eyes
the apparatus allows for the ability to be aware of place and constraints
(the shapers of personality) where the constraints aid in the process (focus)
each perspective singing its narrative song as it observes
flowing within and without through communication
bundles of streams of consciousness coalesce
subjective perspective merger/making a home together
singing in unison or harmony or completely different songs simultaneously
yet together
dynamic input arrays with a unified output, cacophonous and beautiful personal/social dialogue reciprocating and propagating exponentially
shaping the metaphysics of the zone as they flow
interconnectedly embracing what may be
augmented and amplified through continuance it extrapolates
a larger trend becomes apparent: the mainstream with its strong pull towards normativity
adhered to by the state like a cyst
the loudest voice in the choir/the most powerful narrative in the zone/the preeminent song
towering above the rest with its rigid structure and raw processing/authoritarian power
a tendency towards exponential/herd-of-cattle like positive feedback runaway personality loops in pools of endorphins and digitally stimulated hormones
(the manufactured consent of a freely elected demagogue during the anthropocene)
giving us the insight to deduce an eigenvector of misconformity an expression of a collective self-actualization quotient in the inverse
what do we tell our self we are not (do we detune because they do) and what does that make us (obsessional, reactionary, detached) from which we can derive a sociophysical-informational viscosity rating
the closer to zero the greater the multiplicity of interplay authority exists as open source infrastructure/emergent cooperative parameters
process with just enough constraint to keep you focused on the task at hand
giving an ability to process greater complexity/uniqueness of interaction
cooperative diversification that is adaptable/sustainable/resilient yet unassailably the influx of power towards fear appeal in the shadow
and they know it is a strongly coupled causequence
it attracts to the current in a homogenous march towards death they/the state feed off the carnage and force it down your throat too creating an enemy to generate a war to drive the desire for weapons made by inmates in a for-profit prison
-
here (in the zone)
beyond the dialectic there is less lag/time to interpret
where you are truly yourself/an eye in the storm/a more quite surface pattern
moving on a different vector/alternatively to
with presence and purpose to itself/ an agile flock distancing from initial condition
forming new relationships within the un/actuality of ecological interplay
reciprocity becoming communion where individuality is not loss generating causality with a model-free method and effectively utilizing feedforward
the withdrawn moment resonates into the zone
acting harmoniously with perspective/cohabitants/home
interactions that near momentary frictionlessness/instantaneous prefriction
with an endogenic propagation of information/a gossiping network each flowing node of perspective expands the flux exponentially the environmental flow factor reciprocates with the nodes
momentary patchwork dynamics of synergistic vibes flowing into waves rideable buildups of energy/information in motion (not a bubble waiting to burst)
the inertia landing upon a shore (the inescapable horizon of perspective)
changing the boundaries as they are found
receding to repeat to process
passing hands as it goes so to continue anew
-
the infinite metaphor/a reminder that it is all a system
even here connections continue: like finding god in fractal things (that’s nature, huh)
genres of music/handstyles/meetings of important nouns (according to history)
the first time ___ was displayed next to ___
tracings in the vectors that form a hazy portrait
guideposts on a path half hidden under overgrowth
more asymmetries and their betrayals that point towards intention
sunflowers moving with the sun (and they kinda look like the sun so we name them so)
emergent autonomous environmental force/atmospheric currents
its relative gravity determining the toroidal spin within and flux without
gliding on the self-edge
allowing for highly sensitive/wide phase locking bandwidths at the horizon of the zone
confluence of swirling eddies with potential to alter the phase of local awareness
creating driftwaves in the current/turbulence (instability to the state)
energy decoupled with a non-zero resistance
self-consistent patterns that perturb while growing/ traveling/propagating and dying
outside the lines of morphological evolution
mutation/divergent moments of persistent change
autotelic revolutionary beings sustainably diverging
when together we may be a zonal flow/
the only way to really know is to be there/to take part in the stochastic process
resilient/unclogged arteries in clean lungs of singers/players in a synchronized ensemble
performing improvised collaboration on instruments made by/for the players
accompanied by dancers and playing on the steps of the palaces of academia
with a political agenda and pop appeal
(or)
one great party with the coolest people from a very heady scene that births a new style
a way to create the ambience of tomorrow today
placing subjects out of time
response to music as an organizational principle

music as a happenstance intersection/gravity inevitable harmonious modes of socio-physical resonance in cooperative empathy music as a glitch of crosstalk during interpretation of language and sound interplay of fluxing pressure gradients + emotional response (expressing and inducing) garments of interwoven fabrics hewn from mood /place and stained with math a secret key that unlocks the ephemeral gates of reciprocal openness complimentary psycho-social and material systems moving together (dancing) on entirely different signal processing chains with a near infinite capacity for flux with alternative modes of meaning transference leaving room for and facilitating conversation through the same channels via symbols so abstracted there is no point of meaning but rather a vast field no interpretation holds equal validity to infinite understanding the aesthetic threshold is much less dense here and mostly in your head permutation is automatic and instantaneous another babel/ecological communion - carefully positioned or carelessly tossed around vibrations resonating in chambers with the ability to permeate completely and exceed mobile, hung again in many halls or basements or institutions systems of vocal chords in a body recalling heartbreak in a café city birds chirping in the woods outside the industrial park with a tendency to draw a crowd when presented with passion developing cross-sectional affinity groups with complimentary self-assigned roles instruments/fellow players/the audience willing participants in shared circumstance and place the return nodes in the network/inducers of turbulent feedback/invoking chaos the complex nontrivial limit cycles that keep things moving along sometimes a rare gatherings of beings that typically travel in the more ethereal realms creating a coven, safer but haunted in the often forgotten architecture personality in/of space that accepts psycho-social/technical constrains playfully around it springs up special places and when sustained makes for a real scene - a band as a cooperative/self-organized skill share on tour/mobile with an amorphous lineup (and there are many like it) in the simultaneity of motion networks arise and stages fill/spaces are programmed begetting loose giving based/fluid economies that pass through the hands of friends (and the artists actually get paid) politics and even international relations emerge the diplomacy of show trades and hosting touring artists with capacity to transfer/manipulate/store large quantities of information and to move bodies an accidental power that clashes with the state with the potential to alter it when played with enough amplitude and personality it denies dialectic thought/____-war and responds in reciprocity with dance: mother-goddess of motion, gatekeeper of conflict and origin of time it shakes the body/ it moves the mind and acts as constellations to be navigated by lighting the way to the edges of the zone inducing flow as it goes syncing up social tempo, rhythm, oscillation patterns increasing interactional success as it lowers sociotemporal viscosity altering the local gradients and facilitating autotelic ecologically harmonious interplay open/receptive nodes knowing that dissonance has a harmony unto itself unconcerned with a standardized tuning or resolve but with the feeling new consonance emerges in a flourishing asymmetrical multiplicity from this framework we see a hydra of temporary community in eternal occurrence connected by an invisible/open all-channel network a garden still, where all who ask may gain entry though it is a state too it is the state as a performance (and it’s a pretty short set) that only plays if the crowd stays and the crowd only stays if they play here in late capitalism of course you booked them and they are your friends it’s your party in your home (if the cops show up you would never let them in) the act are ready to play now/promising to impress the crowd another group standing behind them saying the same they play with passion and a groove so listeners reciprocate through dance improvising new movements/modes of being together being here with respect and trust in the endless procession of beauty it keeps going all the way punk culture, diy, dit, festivals and the emergent lifestyles decentralized p2p file-sharing networks, meditation, therapy and so on industrialized/exploited by capitalism they showed us it can be scaled up (and how to avoid destroying ourselves) freely reproducible ephemeral polyclimax within a stochastic transistasis music as postnationalist communal identity (1.17)